Allen Fogle, Hollywood

I've been playing on the GS model for about a month now and have been incredibly impressed. Even though it's billed as a mouthpiece for recording work, I've been pleasantly surprised by how well it works for me in every musical setting I've thrown at it so far (studio work/orchestral/contemporary music). Efficient so that I never felt like I was working too hard, but when the high melodic stuff needed to soar, it never backed up on me the way that some mouthpieces can when playing loud in the upper register. I always assumed that you had to compromise between a big sound and efficiency, but Alex has accomplished both here with an efficient mouthpiece that doesn't get in your way when you need to really go for it!